tinkle tinkle, in the jar.

the day before the piano came i wrote something very quickly in anticipation of the beast’s arrival…i started playing a few simple chords that i liked, came up with a couplet, left it alone, and then a few verses came pouring out in about three minutes and there was the song. i have a lot of piano songs i’ve been waiting to record until i had a real piano at my disposal, but for some reason i wanted to try something different. so yesterday i thought i’d take a crack at it and experiment with the best way to record the instrument. turned out i didn’t have to do much experimenting; i moved the KM184s from the “guitar area” over to the piano, propped open the lid, messed around for a few minutes with placement, and then i got a sound i liked and away we went. i know people on gearslutz and elsewhere bash these mics a lot, but they’ve worked well on everything i’ve thrown at them, and i can’t see myself ever wanting to use anything else to record the piano. maybe i’d feel differently if i had worked with an original neumann KM84 at some point, but i haven’t…so i don’t. of course, everyone’s ears are different. different strokes for different cowpokes.

it’s a pretty simple song and the lyrics don’t make a whole lot of sense, but i kind of like the way it came out, even with a bit of a flubbed drum fill late in the song and the occasional sound of me moving around on the piano bench. i did a quick mix yesterday that i was initially happy with, but then i found myself thinking the glockenspiel sounded a little garish. and then milan suggested that a more stripped down mix might be interesting, and i thought, “that might be a good idea.” so here’s a relatively naked mix of the song that lets the piano breathe some more.

Someday Our Children Will Give Us Names (piano mix)

in this context i like the glockenspiel, so i left it in. over on spyspace is a “full band” mix, minus most of the glock. i’m not sure which i like better or which will show up on cd, but i keep listening to both mixes and thinking about how surreal it is to hear a real live piano in one of my songs. i never thought i’d see the day. and i’m kind of glad it isn’t a grand piano after all…i like the earthy sound. hopefully it’ll hold its tuning for a little while as the new strings are stretching their legs, because i’d like to be able to do some more recording with the thing before i have it tuned a few weeks from now. i really like just playing chords and letting them hang in the air, sustaining and decaying…there’s so much happening to the notes as they decay that you don’t ever get from any digital piano, no matter how good it is. there’s a richness to it—it sounds organic. alive.

in other news, maybe there’s something to be said for sending a cd to a radio station along with a somewhat caustic letter typed on an old manual typewriter with a ribbon so old that the ink smears when you touch it; i got an email a few days back from someone at cbc radio 3 inviting me to sign up over at the nmc (new music canada) section of their site, so i did just for fun, and i put a song up there. the next day i got another email informing me that another song had been put up there. if they’re putting music up there themselves, that leads me to believe that maybe they plan on giving that track some airplay. maybe. whatever the case may be, i think it’s pretty amusing that they classified “blue cheese necklace” as “bluegrass”. i’d change it to “fermented alternative” or something, but i kind of like it, silly as it is. thank god i’m a country boy.

2 comments

  1. i don’t know, man…sometimes i think i prefer the stripped-down mix and i like the sparseness of it. other times i think i prefer the other mix, and i like the piano/drums interplay and the little guitar bit at the end that doesn’t show up in the “piano mix”. i can’t really figure out which one works better. what do you think?

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