Getting closer.

There are three songs that still need a bit of work before I can mix them, four songs I need to fine-tune the mixes for, and then YEAR OF THE SLEEPWALK is done.

It’s a strange feeling to be this close to the end after spending years feeling like it was a mountain I could never climb. There’s satisfaction, but it’s laced with disbelief. Some part of my brain is having a difficult time processing the idea that I’ve really made it this far.

I’ve saved some of the most intimidating songs for last. A few of them have arrangements that are so ambitious and fluid, mixing one song becomes more like mixing three or four at once. You’d think it would make more sense to get these things out of the way early on, but I feel better tackling them after getting most of the other mixes the way I want them, using the confidence and momentum I’ve accumulated as fuel.

So far I haven’t had to take ten different passes at a mix the way I did with one of the tracks on WHAT WE LOST IN THE FLOOD. So there’s that. A lot of times the rough mixes are pretty good, and the difference between “rough” and “album-ready” is only a few small adjustments. The lead vocal comes up a bit, a secondary guitar part gets nudged down in the mix, and suddenly everything fits together just right.

Every time I tried to guess at a “release date” in the past, it was little more than a prayer-filled shot in the dark. Now I can say with some degree of confidence that there’s no reason I shouldn’t have the album packaged and ready to share sometime in December — probably in time for Christmas.

Attentive readers will notice that the picture above marks the end of Maximum Beardage (2017-2019). I let it go for two years, which has to be a new record for me. It was fun, the hair didn’t get in the way too much when I was eating, and my plan was to hold off on trimming it down until the album was finished.

I looked in the mirror a week or two ago and saw this:

That’s a pretty fine beard if you ask me. I could have tidied up a few scraggly bits and gone about my day. But then I started thinking. I’m a tall guy. Most people who look at me don’t see me at eye level. They get a view that might look more like this:

Scary stuff.

I kind of got tired of all the grey hair in there anyway. So I grabbed the scissors and marvelled at the amount of hair that came off of my face. I still have a significant beard, but it’s much neater now, and birds are less likely to try and nest there for the winter.

5 comments

  1. Hey Beard Man!. Great picture of you in the music room and beard growths. Congratulations on nearing the end of the Sleepwalk. Can’t wait to hear it!

    1. The very first official copy has your name on it! Really, it does. I’m not sure how it happened. A small purple friend of ours must have gone wild with a permanent marker in the middle of the night…

  2. Hey Johnny. I’m happy to see you are almost complete your album and I look forward to hearing it. I was thinking about you the other day and all the hard work you have been putting into that album. All the best to you,

    Darryl

    1. Darryl! Thanks so much for the kind words (and for being a part of the album). You’re one of the first people on my list to get a copy of this thing to once it’s packaged and ready to go.

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